This project marks a new phase in my work, challenging the concept of “culture” in modern societies. It explores how migration continuously reshapes identity and cultural definitions, emphasizing that culture is not static but an evolving construct shaped by interaction and transformation.
The project consists of a series of objects made from wood that undergo a chemical process to become transparent. Through this transformation, the wood takes on a new, definitive form and is finished with a white varnish. When exposed to a light source, the material will be transparent en light can shine through!
here above Balsa Wood in undergone chemical process, which removes Lignin, main polymer of wood. after this chemical process white varnish will be added on the surface of material to give transparancy and strength to material.
Design Process
The first step focuses on chemically modifying wood by replacing its natural polymer, lignin, with other transparent natural polymers. This process alters the wood’s properties, removing its original color and flexibility. By experimenting with different natural polymers, I aim to explore various material outcomes.
In the second phase, the transparent wood is translated into a spatial object. These large-scale, suspended pieces (approx. 200 cm x 200 cm x 200 cm) are inspired by repetitive architectural forms and are designed to interact dynamically with different lighting conditions, such as daylight, twilight, and artificial light. Digital CAD modeling plays a crucial role in testing material stability and refining the construction.
Finally, artist Dave van Gompel will contribute an additional layer to the project. His expertise in craftsmanship will enhance the durability and aesthetic qualities of the objects through a refined application of white varnish.